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Dog Voices morphed
from two rival cover bands in the mid ‘90’s, Voices and Who Brought the Dog.
Starting fresh was not easy for the newly- formed band, but they kept with
it, playing their asses off and making a new name for themselves. They
eventually gained a following their former band members could only envy.
The band now stands next to the Nerds as one of the most
popular cover bands on the scene. They pack clubs in Jersey from north to
south, satisfying returning audiences along the way. Their success isn't
just a result of what they do on stage; it’s their friendliness and desire
to meet the people who watch them that puts them a step above those who
choose not to.
The band manages to sweat and groove on the stage until
bar time ends, leaving you feeling like the show just started. They also
have their rough nights when crowds just won’t respond. According to
their lead vocalist, Rob Monte, they play each show whether it’s one person
or a thousand in the audience by giving 100 percent.
The band’s club set list is made up mostly of today’s hits, usually attacked
with a note-for-note performance. Sometimes guitarist Rich Moscola will
treat the audience to some of his versatile improvised guitar solos. It’s
the band’s showmanship that stamps it’s own patent on each Dog Voices cover
song. The songs were written, recorded and originally performed by another
group, but on stage this band takes it and gives it their own energy.
They’ve developed an original stage presence that would take other cover
bands years to copy.
Chorus and Verse: When did Dog Voices form?
Rob Monte: Dog Voices formed in ’96, I think, ’95 (or) ’96.
It was a culmination of two bands, right?
Yeah, Voices was one band and I was with Who Brought the Dog and they got
rid of their singer, I got rid of my band.
So what happened from there?
Well, that’s when club owners were going nuts, my agent was going nuts,
people going nuts because at one point we were a big competition. When I was
in Who Brought the Dog, Voices was kind of big, but we were the most similar
to the two Voices. They were better than us as a band. But we were the five
guys in the band and their singer used to run around, too. Not as crazy as
me, but used to run around and he would have his thing.
So, it was kind of competition and they felt that way, so they weren’t very
warm to us. But you know, whatever. So, you know, the crowds were kind of
split. If you liked Voices, you didn’t like Who Brought the Dog. If you
liked Who Brought the Dog, you didn’t really like Voices.
So, all of the sudden, I got to meet the guys and they got to know me. And,
you know, they were pretty cool and they were having problems with their
singer, and I’m having problems with my band, so it’s natural.
But the crowd, people who saw the band, some people were in shock, some
people liked it. So it was tough, man, it was tough. And then, club owners
used that against us, to try to keep our money down and that whole thing.
Because they figured, oh, it’s a new band, it’s a new thing and blah, blah.
So, we went through a lot of shit with that. But, we proved everybody wrong
and kicked some ass, you know.
Is there a chemistry you feel now, when you’re on
stage?
Well, now we got two new guys in the band from the original members. We got
a new keyboardist and bass player. And yeah, the one thing I gotta say that
we do have, which I don’t see in a lot of bands, is we always have fun on
stage.
There’s always something funny going on, you know. My bass player says
something to me and it’s just fucking hilarious. I mean, you can’t help but
laugh. Or I’ll see something in the crowd and I’ll point something out to my
guitar player and we just start laughing. So it’s still fun. Chemistry in
that way, yeah. Plus, we play so much, we kind of know someone else’s moves,
so you know what’s going to come next or whatever.
We all don’t really hang that much, outside of the band, because we play so
often. You know what I mean. If we hung out outside of the band I might as
well move in with the damn guys. (Laughs)
But you get along really well?
Oh yeah, we all get along great.
Do you guys feed off each other’s energy on stage?
I mean most of the time, I’m the one always on 11, you know. But there’s
definitely times when they follow my lead or there’s just some nights when I
just don’t have it. Or some nights I’m just too beat. I do a lot of shit, I
really gotta slow down. I’m just one of those guys, when I wake up in the
morning, I don’t care what wakes me up, I just can’t go back to sleep. I try
to, but my brain is going, “what am I doing, what am I going to do.”
So, I’ll get up and go to the gym. I’ll do some errands. I’ll do this, I’ll
do that, the whole bit. So, there’s definitely some nights, man, when by the
time 11 o ‘clock rolls around and I’m on stage, I’m like beat to shit.
Maybe those guys will feel that and they’ll start stepping it up a little
bit and I see them stepping it up and I realize I gotta step it up. And it’s
good to feed off each other that way. We know each other so well, I guess,
that we’ll be able to feel what the other guy is feeling.
How does the crowd get you into the show?
The crowds are great man! There’s some crowds you gotta work on, some crowds
just stand there. You know, we played Long Island the other night. They
don’t know us from a hole in the wall. You know, they don’t know who Dog
Voices is. They don’t know where we’re from. So I gotta, you know, mention
where we’re from, “how you doing,” blah, blah. And then, hopefully they’ll
take to you. You know, if you get done with a song and put in all the energy
and they start clapping and getting into [it], you feed off of that. And
it’s just the opposite too sometimes, well not the opposite, but if they
don’t, you feel like you want to work harder.
That’s where the band will follow my lead. Sometimes the band gets a little
discouraged and, hey, you’re up there and you're jumping around and your
giving it your all and people couldn’t give a shit. You know, but to me I
think that it’s a challenge. You know, and if through everything else,
you're still busting your ass all night long and people still aren’t taking
to the band, I still want to go nuts and give it my all because at least
they can say they don’t like us. That they didn’t like us. They can say that
the singer’s an asshole, whatever the hell they want to say. But they can’t
say that we didn’t give it our all. That really is like a pet peeve of mine.
I always tell the guys that, “look, you’re not going to please everybody.”
And I’m the worst one with that, I always try to please everybody.
But, if someone wants to say, "ah, you suck," and it’s their opinion, fine.
Everybody has an opinion. But I don’t want anybody to ever call my agent or
to say, "ah, you guys weren’t that good. You guys didn’t move around, you
didn’t do nothing." I don’t want anyone to ever say that we didn’t put the
effort out. That’s important.
You know, with a crowd, if a crowd's not going to take to it, some bands
just take it as, ah, you know what, fuck this. We’re never going to play
here again, let's just get through this night and get it over with. I’m more
like, no, no, no. Fucking go nuts. Go even crazier than you want to. I don’t
care if they clap or not.
I’ll goof on people too sometimes. You know, there’s always one person who
claps, so I’ll just point to them and say, “thank you.” (Laughs) You know.
And fuck everybody else, I think. (Laughter) You know, whatever, you can
have fun with it too.
Do you have a certain routine you follow or when you
get up on stage do you just let it all go?
I make a set list up. Now, like you said, I know the rooms so well. So, now
if I go to a room and I know what type of room it is, I’ll make a set list
up. For the most part, a set list is there for guidance. Then, you know, if
things go different, then I’ll switch things up. Which really helped us on
the Cover Wars thing to tell you the truth. (Laughter) Because,
that’s what the whole show was about.
You know, all of the band used to get really mad at me for changing things
up all the time and doing that stuff. It ended up being … ended up working
out in our favor when it came to Cover Wars.
How did you develop such a huge following? You guys
keep drawing like crazy.
Man, I guess it’s just word of mouth. People like to go out to the clubs and
they like seeing bands. Some people are like just fans of one band or
another. Either they like the [Big Orange] Cone and they don’t like anybody
else. Or they like the Benjamins and they don’t like anybody else. But, then
there’s those people who go out and like to get entertained and see good
bands. Which is what I encourage a lot, all the time. You know, anytime I go
out, I’m always telling people to see Cone or Benjamins or Nerds or whoever.
Because to me, if I’m not around, go see another band.
But, I guess it just starts with word of mouth. People who like to see good
bands, go out and they saw us and thought we were good. They start telling
their friends and eventually their friends will see us and a I guess that’s
the way it works in clubs. I’m not really sure, you know. I don’t take it
for granted, that’s for sure.
I guess it’s a combination of that and a combination of, also, people get to
know us, you know. People come out and see us. And plus we play a lot of
different gigs too. It’s not just clubs, man. We played at outdoor gigs
where a lot of people bring their kids. That’s in the summer time, The Shell
[The Sea Shell Motel] down in L. B. I. [Long Beach Island, South Jersey].
Um, you know, we do our ski trips every year. We play up in Vermont. We
played in Boston. We’ve gone to Florida. You know, we’ve done a lot of
stuff, so we got to know a lot of people. We play in different sections of,
I guess, the scene, you know what I mean. Instead of just clubs, we don’t
just play clubs. If we played clubs, we’d have a limited audience. So I
guess that helps our following, too. |