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Joseph is not exactly background music for a cocktail party, as his songs are deep, intricate and full of heart and soul.

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Chorus and Verse: Jerry Joseph
JPat (left) performs with Jerry Joseph at the Opium Coffee House in Bridgeport, Connecticut August 6, 2005
JPat (left) performs with Jerry Joseph at the Opium Coffee House in Bridgeport, Connecticut August 6, 2005 (Credit: Rich Clarke)

August 6, 2005 -- The Opium Coffee House and Jazz Tavern in Bridgeport, Connecticut was the setting for a duo performance by Jerry Joseph and JPat, who turned out an excellent performance. The first set opened with Joseph’s song "The Jump," a popular piece he also performs with the Jackmormons, a powerful electric trio he also performs with. The performance answered the question: are Joseph’s acoustic performances just as intense as the electric shows - with a resounding yes. The addition of JPat on mandolin and harmonica (Joseph often tours solo acoustic between runs with the Jackmormons) was a nice bonus for fans of Joseph’s acoustic performances. Other highlights of the first set included a beautiful version of "Boo’s Fireworks," the bluesy "Pearl of Great Price," and the set-ending "Criminals in My Closet" that featured a tasty harmonica solo by JPat.

The duo opened the second set with "Kind of Place," a song about starting over in a new place and attempting to leave the past behind you. Passionate versions of "Big Lagoon" and "Brother Michael" preceded a new song, "Gunsmoke," slated to be on the much-anticipated, upcoming Jackmormons album. The inspiring "Jacob Ladder" segued to another new song, "Panama." The set ended with "Light is Like Water," a song inspired by a short story by Gabriel Garcia Marquez.

Any fan of Joseph's was sure to enjoy the addition of JPat, as he added a special sound with his mandolin and harmonica. Together, the duo provided beautiful interplay. JPat is an excellent solo performer in his own right, but slid effortlessly into the role of sideman, performing Joseph’s songs with the passion one has come to expect from a Jerry Joseph show.

At only two weeks old, Opium still has some kinks to work out, including the lack of coffee for a place that bills itself as a coffee house. The venue also needs some help if it is going to be a serious music destination. The sound system is not bad, but the location of the floor-level stage area, which is precariously close to the restrooms, and lack of any lighting make it very difficult for performers. Although there were clearly genuine music fans present, Opium appears to have become a newly discovered neighborhood bar for many in attendance, who appeared to be uninterested in the music and were quite boisterous.

Joseph is not exactly background music for a cocktail party, as his songs are deep, intricate and full of heart and soul.  Those who were not attentive missed lyrics written by one of this country’s great songwriters.

Sadly missing, also probably due the loud drinking crowd, were Joseph’s interesting and humorous monologues between songs that tell the audience what song he is performing and also provide listeners with insight on inspirations and content of the composition. JPat performs regularly in New Jersey, New York City, and Philadelphia. He also has a new CD out entitled Smile Goodbye to the Kings and Clowns. Those wishing to learn more about JPat can visit his web site, www.jpat.info.

Joseph is currently recording a new album with the Jackmormons, and will soon tour the northwest with the band. You can find out more about Jerry Joseph, as both a solo performer and with his band, at jerryjoseph.com.


This is Rich Clarke's first contribution to Chorus and Verse.
©2005, Chorus and Verse